蜜豆视频

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On 9 October, the Swedish Academy announced that the 2025 Nobel Prize in Literature had been awarded to Hungarian writer L谩szl贸 Krasznahorkai. As every year, the laureate was revealed at the historic Stockholm Stock Exchange Building (B枚rshuset). According to the Nobel Committee, Krasznahorkai was honoured 鈥榝or his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art鈥�. Lina Buividavi膷i奴t臈, lecturer, literary scholar, and poet from the Kaunas Faculty of 蜜豆视频 (VU), describes him as an exceptional author.

The genius of his language

鈥楾o be honest, I鈥檝e never read anything comparable. His sentences can stretch across a third or even half a page, weaving together a surreal yet tangible reality, allegory, metaphor, dark irony, a vision of an apocalyptic world, and stark realism 鈥� all merging into one seamless, unforgettable whole,鈥� noted Lina Buividavi膷i奴t臈.

According to the literary scholar, the chronotope that Krasznahorkai creates demands precisely this kind of narrative approach: 鈥楾he crumbling, apocalyptic, feverish, raw, and darkly ironic world of his books is, first and foremost, a world of language; a fiction that is both realistic and estranged, and perhaps even more important than what the stories are about (their content) is how they are told 鈥� Krasznahorkai not only draws on existing linguistic resources but also creates new ones, breaking and building, transforming and preserving. I believe this Hungarian author masterfully crafts the language of his books, building it around the worlds he seeks to depict鈥�.

Buividavi膷i奴t臈 recalls translator Vitas Agurkis鈥檚 impressions when he worked on 鈥楢z ellen谩ll谩s melank贸li谩ja鈥� (鈥楾he Melancholy of Resistance鈥�), as quoted in a 2017 with Dr Jurgita Katkuvien臈 published by 鈥�15min鈥�: 鈥楩irst of all 鈥� the text itself. It contains the tiniest details, where the life of a small provincial town intertwines with apocalyptic visions. Everything is fused together in a single sentence, yet, in my view, beautifully unified. When you enter that text, you can鈥檛 tell when you鈥檙e simply walking through the town and when the hallucinations begin; you don鈥檛 know whether it鈥檚 the author鈥檚 or your own mind that鈥檚 starting to unravel. You simply don鈥檛 know what鈥檚 happening鈥�.

Allegories that create worlds

The prose of the Hungarian writer is deeply rooted in allegory, with his texts functioning as metaphorical structures in which physical and political landscapes reflect inner and existential states. When awarding him the prize, the Nobel Committee emphasised how Krasznahorkai鈥檚 creative work demonstrates the ability of art to preserve meaning in the face of collapse. This suggests that through multilayered allegory, art itself becomes a form of survival and resilience.

鈥楢s David Auerbach noted in his article 鈥楾he Mythology of L谩szl贸 Krasznahorkai鈥�, 鈥業n the post-war years, many European authors, especially those from Communist states, engaged in surrealism, parable, and allegory as a way of containing the mid-century chaos that spilt over from the war, where the psychology and rationality of modernism no longer seemed capable of fighting the irrationality of Nazism and Communism鈥�. Moreover, allegory, at least for me as a reader, always leaves the space that鈥檚 so essential 鈥� a gap in which silence, yet also eloquence and testimony, compels the mind and imagination to work,鈥� said the VU lecturer.

A masterful witness to darkness

While critics often describe L谩szl贸 Krasznahorkai as a successor to Franz Kafka or Fyodor Dostoevsky, Buividavi膷i奴t臈 notes that his works belong to a different era 鈥� the postmodern fragmented world where existential tension shifts from the metaphysical to the realms of political and everyday absurdity.

鈥業n my view, the Nobel laureate leaves little room for hope in his writing 鈥� you never know when the circus will come to town again, bringing some new exhibit, perhaps a stuffed whale, setting off a collapse that had long been germinating in people鈥檚 minds or subconscious. How capable am I of resisting absurdity, the 鈥榩lague bacillus鈥� (to echo Albert Camus), or am I merely a pawn of history that remains powerless as heads, including my own, begin to roll? Yet art still has the power to build structure from destruction. Though Krasznahorkai鈥檚 texts testify to darkness, that darkness is rendered with extraordinary skill and force. The apocalyptic world becomes a work of art,鈥� asserted the scholar.

Lina Buividavi膷i奴t臈 admits she often quietly wonders what determines the choice of a particular Nobel laureate. And while Krasznahorkai鈥檚 world is steeped in collapse and anxiety 鈥� existential states deeply familiar to contemporary Europe 鈥� the literary researcher believes that what truly earned him this recognition is not just the relevance of his themes but the language itself: its intensity, rhythm, and exceptional mode of creation.